2. Consider a mount
Often an overlooked part of the framing process is the decision on whether or not to choose a mount which can have a real impact on the finished artwork. A mount draws the eye to the image and can enhance its appearance.

A simple frame with a neutral mount ensures your image is the centre of attention. This combination is often found in galleries and is popular amongst interior designers. Mounts create a gap between the artwork and the glazing which helps prevent damage from condensation or high-gloss prints sticking to the glazing. We only use acid-free mount-board which eliminates the risk of the print stains. Also, the white-core means the cut bevel-edge nearest the print remains crisp and white; lesser quality boards quickly discolour so you can see an unattractive yellowed edge.

Some prints look better without a mount. For example, larger prints and cityscape prints have a slick finish when placed directly in a black or white frame.

Alternatively, you can choose a recessed box frame where the print is set back from the glazing and complemented by a border around the image instead of mount board. This style is becoming increasingly popular as it makes the print the centre of attention.

You can also adopt the recessed box style when framing original artwork too. This is when the artwork is ‘floated’ on conservation grade mount- board using archival tape (as used by the majority of galleries across the world) to protect the back of the artwork from damage over time. Using this tape means the print can be ‘reversed’ and easily reframed in the future, should your tastes change.